What’s good in the woods and the hoods? It’s me, it’s me, it’s the No-Fi King Speed on the Beat ready to kick off my first post for Thee Arteest. When I was first approached for the opportunity, it took me all but ten seconds to be all, “well, heck yeah!” Arteest and I go back a couple of years to our undergrad days at the University of Maryland, so I’m honored. But, enough mushiness! I’ll just let my proverbial pen show my excitement on this new chapter.
While perusing through the Twitterverse today, I happened across this whole DJ Quik/Andre 3000 “beef”/rumor mill/random vent session. Now, while I get why Quik’s PO’ed, I’m pretty sure of two things. First, if Quik actually had “the monster,” he’s not Magic Johnson. He surely would have shown signs of it by now and/or died by now. So, while it probably had an initial impact, it’s not the type of thing you need to take to Twitter to rant and rave about. Thanks, Quik, for clearing up a rumor that’s been floating around for years. But, at this point it’s kind of like “WGAF.”* The second is this: I swear hip-hop and wrestling are more alike than Kendrick Lamar and Daniel Bryan supporters want to admit.
Except, of course, without too many running knees to the face. Sidenote: WWE, can you just either have Daniel Bryan win the belt and hold it for a while or move him out of the title picture for now?
I’ll talk more about that on my own page at some point for all of my wrestling fans out there. Now where was I? Oh, yes. Hip-Hop.
Young Buck’s out of prison after almost two years (and Gucci Mane’s headed back in). Here’s hoping he can catch a W for the first time in a while. Buck, to me, was one of the stronger aspects of G-Unit. Even though he didn’t get the shine of 50 or Banks, he was solid. Plus, he was “Southern” but still not “typical Southern” rap. Heck, anyone remember the “Shorty Wanna Ride” video with all its anti-Illuminati imagery? I’m not a believer in that sort of thing, especially how it pertains to rap, but I like when artists think outside the box for videos. That is, of course, to a degree. Can we not have Drake shooting (at) people to something that reminds you of 80s synthpop, Miami Vice/Scarface references be damned? Yes, I know, it’s a mini-movie (another post for another time), but it doesn’t really go too well with the song.
But, speaking of Aubrey “Drizzy Drake Wheelchair Jimmy Champagne Papi Rogers” Graham, his Nothing Was the Same tops the charts this week with sales of close to 700K. Now I’m more of a Take Care kind of guy, but all I can say (without looking like too much of a jaded a-hole–or Big GhostFASE) is this: congrats. Now if I can just get him on one of my songs…
On the independent side, I am actually trumpeting the release of DMV artist True God’s Soul Revival 2 album, which I handled most of the production on. (Yes, Virginia. I am a rapper and a producer as well as an opinionated blogger; check the bio) Objectively, the album presents a man who has lost a lot and is slowly starting to gain it all back, using music as his therapy. Part GKMC, part Nas, the album is revolutionary and militant while still being introspective and retrospective. I will not voice my subjective opinion here because I’d rather not sacrifice too much of my artistic integrity in my first post.
And, finally, on a light note (kind of), we’ve got this:
Until next time, guys and girls.
*I’m making an effort to keep my language PG/PG-13 to show people I can be witty without cursing/being too vulgar.