This week in hip-hop saw yet another salvo fired off in one of the longest-running quasi-feuds in hip-hop. After Drake, in a Rolling Stone interview, called Jay Z’s many, many, many references to Basquiat, Warhol, and other visionaries–a word thrown around way too much for way too many people, but that’s another post for another time–“wack,” Jay fired back on
Drake’s own Soulja Boy’s song. Judge for yourself, but as is typically the case, the lyrics are pretty NSFW. Although, we do get an appearance from hip-hop’s resident hermit, Jay Electronica–that’s coming from a Jay Elec fan, by the way.
Since at least 2007, Jay and YMCMB/CMR have traded bars with each other. Honestly, I enjoy the “shots” because it takes hip-hop back to those old-school days when Big and Pac were still living–or even when Fiddy went at everyone. You know, the days when rappers weren’t afraid to just throw shots at each other in a competitive nature to keep their competition on their toes–and their own buzz up. As long as it creates some “DAMN! REWIND DAT!” moments, without, you know, the fisticuffs of a Source Awards or something I’m all for the back and forth. It doesn’t seem to really be anything more than friendly competition at this point–unless we start getting “Control”-like responses from people.
Man, that song got on my nerves.
Cole Alexander Hates Drake and Loves His Rap “ignorant, ratchet, and ghetto.“
This is Cole Alexander, guitarist for Black Lips, a rock group out of Athens, Georgia.
I’ve never bothered to listen to Black Lips that much. I remember they had a song on the Scott Pilgrim movie soundtrack and had a sort of southern punk vibe to them. They’re the type of band hipsters love, as evidence by Alexander being chosen to talk to A.V Club about his “hatesong.”
Here’s the thing: there isn’t anything inherently wrong with a white guy liking “ratchet” rap. That’s fine and dandy. People are allowed to like what they like. What is kind of crappy about Alexander’s opinion is that it places a white, male gaze on a genre created by “minority” artists. That, plus his whole, “white people now usually don’t have to deal with racism, so they allow blacks to make racist jokes as ‘payback’ for their ‘white guilt’ and stuff” diatribe on Macklemore, whom he seems to channel in the above photo. I’ve got two sets of three words for this guy, but I can’t say them on here. So…Why The Face?
I guess I’m going to have to bring back my “Fail of the Week.” Also, Modern Family FTW.
Elle Varner Doesn’t Want Anyone to “See [Her] Tonight”
Back when Elle first came out, I had a bit of a Woman Crush Wednesday (#WCW) going for her. She, musically, had that Chrisette Michelle thing going for her, but “cooler.” Now while her debut didn’t move the numbers some predicted (honestly, it was epic, but still had a lot of boring and/or misguided moments), it was a decent debut. Her second album, slated for a late-2014 release, seems destined to silence doubters–or die tryin’. This song captures her “Only Wanna Give It To You” vibe, splashes it over a song about rejection, and succeeds. It, in some ways, sums up her first album in about five minutes. “I’m attractive and relatively famous, but I still get antsy about being rejected. And when/if it happens, like anyone else, I get kind of sad about it. And when I get sad, I may shed a tear or two…and I don’t want people seeing that because they see me as strong and powerful and stuff.”
Indie Spotlight of the Week, “Art in Reality” by True God of #TeamDAR (Prod. by Speed on the Beat)
(Lyrics NSFW on both of these) Yes, yes, I’m tooting my own horn on this one. Sue me. The first track I’ve worked on myself since my own #MoneyWhereYoMouthIs, it speaks on True’s journey through music and music’s state as a whole. It’s a pretty awesome track that utilizes a slightly unexpected sample. Also, this:
(Sorry, Arteest, my dude. I had to. Everyone, #SupportIndieMusic)
Until next time.