Archive for August, 2014

Lupe Fiasco Now Selling Verses For $500

He's back at it...

He’s back at it…

Ok, since we did a think piece in my last post, this time out, we’re going to go light (relatively). After being called “arrogant” by battle rapper Dizaster, thus continuing their long-standing “feud,” news came that Lupe was going to venture into the world of Fiverr-like gigs. Unfortunately, if you’re looking for an actual feature, that’ll run you a smooth $50,000 (which isn’t all that much, considering it is Lupe, but still). Nope, these $500 a pop verses are personalized one-verse-songs for people willing to part with Benjamin and his four other brothers. Think those Valentine’s Day bears with the recordable message feature, but with Lupe’s face plastered on the front.

Or something like that…

We all know some random rapper’s still going to try to make it a “featured” song, though (contract be damned). So, this is going to be fun to see play out. Now, I’ve had my issues with Lupe (still think he’s dope lyrically, but not always on-point in other ways), but this is actually pretty inventive. I personally wouldn’t drop $500 on a personalized verse, only because there are more important things to do with that money. Plus, I could use that to help someone else out who hasn’t already made it. I’m just saying. I support my favorite artists, but there’s a limit, you know?

On Sagas in Hip-Hop

On Sunday, I brought the musical saga I started a couple of years ago with #OneYearLater to a close with the release of Death of the King. While that album is epicness (what, you expected me to say it sucks?), it got me thinking about other sagas presented in hip-hop. Here are a few of my favorite “sagas,” to lighten the mood.

Lil’ Wayne’s Carter series (2004-201x)

Kendrick Lamar’s story (O.D., Section.80, and GKMC)

Jay-Z’s Blueprint series (2001-2009, thus far)

Big K.R.I.T.’s story (from K.R.I.T. wuz Here to King Remembered in Time)

Lupe Fiasco’s “Michael Young History” story (explained in-depth by the good folks at The LUPEND Blog)

If you haven’t had a chance to check these sagas out, please do so. They act as time capsules into these artists’ lives and the lives of those around them during the time of each album’s release. It’s fun to revisit, and also imperative to ensure that we learn from the mistakes and transgressions each artist has spoken on, so we can ensure a brighter future. As always, this is just my opinion.

@SpeedontheBeat

Before we begin, check out Lauryn Hill’s “Black Rage.” 

I love hip-hop. It’s an amazing art form, and it’s so diverse. In light of some of the recent happenings in the world (the situation in Ferguson, MO, the Ezell Ford shooting in LA, the incident in Ohio, the Tulsa police shooting, Robin Williams’ suicide, etc), some have brought up the question of “what can hip-hop do to educate people or cause change?” In the 1980s and 1990s, artists jumped to the mic in droves to speak on messed-up situations with the government and the police (not really mental illness, though; that’s another monster entirely which I spoke on on Boi-1da.net). These days, however, it seems that artists won’t speak on an issue unless there’s something to gain from it (publicity, saving face, etc). Is that indicative of artists being “owned” by their labels, therefore hindering them from speaking on issues?* Or is it just that today’s generation of artists aren’t educated on how messed up these issues are?

I think it’s unfair to say that every artist doesn’t give a you-know-what, regardless of their subject matter. I actually got into a bit of a “Twitter argument” with Lecrae over his semi-condemning of “violent” mainstream hip-hop, due to the idea that even if some music is violent in nature, it doesn’t exactly mean that all hip-hop that isn’t love, peace, and harmony is counterproductive. However, there is a tinge of apathy from the world as a whole–since some tend to devote focus to hot button issues, then move onto the next quicker than you can say “keyboard revolutionary.” Of course, human rights are something that need/deserve to be spoken on at all times. Thankfully, the message is getting across that people can’t just #TweetJustice and expect something to change overnight.

But, you combine this “where’s the next cause?” mentality with a generation that is more likely to turn Trayvon Martin into a meme, you’re asking for idiocy from the masses. Rappers aren’t excused from this. But, as “leaders” of black culture, hip-hop artists have to aid those whom they claim to represent–which is why I always applaud artists who give to charities, or do nonprofit work (or speak on these “real-life issues”). I’m also applauding the artists who have used their voices to speak on and/or out about these tragedies. As always, though, these are just my opinions on the matter. Feel free to tweet me on the matter.

*I will not go into how major label artists aren’t “allowed” to speak out (that’s another post entirely). I just wish that everyone could…put their money where their mouth is (plug, but not a shameless one).

@SpeedontheBeat

::cues up Kanye’s “FEELS GOOD TO BE HOME!” outro from “Touch the Sky”::

Greetings, all. Did you miss us?

Earlier this week, I came across Bauce Sauce’s “0 to 100” freestyle, the aptly titled “0 to 140.” If you’re not familiar with Bauce Sauce, he’s a writer who’s made some pretty big waves these past couple of years. Using his irreverent humor and his website, Mostly Junk Food, Mr. Sauce has worked his way to a pretty sweet gig at Complex. So, what better way to announce to the rest of the world that you’re here than to let them hear you spit hot fire…or something. While Sauce has been rapping for a while, apparently, this track is what’s got him dealing with the masses en masse.

BAUCE

The song “0 to 140,” sarcastically, was called the hip-hop killer, possibly because Bauce Sauce is a kind of nerdy-looking white guy going ham over a Drake song about how his blogging contemporaries just can’t see him. Kind of like John Cena, but replace wigga-like mannerisms and a can-conquer-anything attitude with self-depreciating humor. And that’s all it took for some of the hip-hop world to turn on this guy quicker than, well, the WWE “Universe” has turned on John Cena (unless, of course, you “get” it–but even still). Which brings me to my point: in hip-hop, sarcasm and parody tend to not translate that well.

Weird Al got into a long-standing beef with Coolio over the “Amish Paradise” song. Heck, I have been in some weird confrontations because what I said went over people’s heads. Is it because hip-hop, even with its long list of metaphors, is an art form where people still take things at relative face value? Perhaps, considering there are individuals who believe Rick Ross actually has a billion dollars. It’s also potentially that, and I really hate playing the “race card”, because Bauce is a nerdy white dude, some purists unfairly attack this (somewhat out-there) comment of “I [messed] around and ruined hip-hop.” Is it out of line? Kind of, considering that hip-hop, to some, is considered sacred (in other words, no one can make fun of it, unless you’ve been accepted in the culture. And even then, it’s still looked at sideways). But, did it warrant the guy getting threatened to be robbed for being a clown?

In the immortal words of Keith Cozart, nah. Plus, it gives me a reason to post this gif:

Until next time, guys and girls.

****

(Shameless Plug Alert)

For those who forgot, I do actually dabble in this rappin’ thang myself (woot, woot). With that said, be sure to check out Death of The King when it drops Sunday, August 17th over at SpeedontheBeat.Bandcamp.com and on iTunes and all that fun stuff.