Brew Strong and Feed Well

As an avid craft beer enthusiast, self-proclaimed foodie, and longtime user of social media, I constantly peruse social media for great craft beer and food related content. So, when I came across the social pages of Brew and Feed it was as if the beer gods allowed me through the stainless steel gates of a majestic brewpub to explore all elements needed to create a dynamic food and beer pairing experience.

By way of Instagram, eleven year homebrewer and budding chef Robert Moreland documents his many beer and food adventures under the brand Brew and Feed. From images of the fresh fruit and veggies growing in his backyard garden to pictures of his homebrews paired with homemade mouthwatering eats, Moreland shines a light on good drinking and even better eating. More specifically, as eye candy for the craft beer lover, Moreland posts everything from his homebrewed Belgian Dubbel–which also doubles as a chicken wing glaze–to his trademarked DarkHeart Russian Imperial stout. (A stout he also uses in one of his homemade sauces). Wait, sauces? That’s right! Images of various phases of his meticulously curated sauces, blends and dry rubs–like “Farmhouse Ale Garlic Serrano Hot Sauce”, “Chai Spice Baking Blend” and “Espresso Rub”–are not only displayed on his IG, but are also available for purchase there and on the Brew and Feed website. And if you thought the wings sounded great, Moreland flexes his culinary muscles even more on the gram with pics of his homemade grilled chicken kebabs and grilled salmon—spiced with his homemade rub, of course.

But wait! Brew and Feed isn’t solely an Instagram based brand and Moreland isn’t only about sharing his own cooking and homebrewing skills. The Brew and Feed YouTube channel–which I’ve also taken a liking to–adds another layer of interesting and exciting content to their portfolio by documenting and reviewing the brews and the food of the breweries he visits across America throughout the years. Living by its mantra “Brew Strong, Feed Well,” the Brew and Feed brand seamlessly captures exactly that. Fortunately for me, I was able to catch up with Mr. Brew and Feed himself to find out what inspires him and his brand to continuously push the burgeoning culture of food and beer pairing. Check it out below!

Robert Moreland (Brew and Feed Creator)

Robert Moreland (Homebrewer/Brew and Feed Creator)

TA: I know most beer drinkers begin their beer drinking journey consuming some of the macros and then they have some moment of clarity where they realize there are far better beers out there. Does this sound like your story? What was your moment?

BF: In 2002 I had a consulting assignment in Southern California and some co-workers suggested that we visit a place called the Yard House in Costa Mesa, CA. I was astonished by the selection and started drinking Fat Tire and other Amber Ales as well as Wheat Beers. Before that, I was drinking Colt 45, Molson XXX and Molson Ice.

TA: How did you get into homebrewing? What was the first beer you brewed?

BF: My wife bought me a Mr. Beer kit one year. The beer wasn’t great, but I liked the process and bought three more beer kits and kept homebrew on rotation. That was about 11 years ago. After about two years, a homebrew store called Brew Mentor in Mentor, Ohio opened about 15 minutes away from my house. There I learned to brew all grain batches using the brew in a bag method, then eventually built a cooler mash tun and started full boil all grain brewing. About 4 years after that I upgraded to a SABCO “Brew Magic” system and conical fermenters.

Brew and Feed Homebrew Saison

Brew and Feed Homebrew Saison (foreground) fermenters and SABCO Brew Magic (background)

TA: What equipment do you use to brew your beer?

BF: I use one half-barrel recirculating infusion mash (RIMS) SABCO “Brew Magic” and two MoreBeer.com Ultimate Conical Fermenters. SABCO is an Ohio company that sold Sam Calagione an early version of the SABCO Brew Magic to start his original Dogfish Head brew pub in Rehoboth, Delaware. It’s a pricey system, but when you evaluate the nuances of how it is engineered, it is worth the money if you are serious about making good or even great homebrews.

I was also partial to them because I am from Ohio and was living in Ohio at the time I bought it and they are based in Toledo, Ohio. I consider it a semi-pro brewing system. I chose the MoreBeer.com conical fermenters because I needed to put them in the garage when I moved to North Carolina and it gets quite hot in there in the summer, but it also gets very cold in the winter. They are equipped with two thermoelectric cooling blocks which are cooled with two fans. When the fans cool, the block’s heat is transferred from inside the fermenter to outside the fermenter. These blocks can cool the wort inside the fermenter to 40 degrees Fahrenheit below ambient temperature. So, if it is 100 degrees in my garage I can ferment down to 60 degrees. The fans on the cooling block are connected to a temperature controller which has a probe that goes into a tube that goes into the top of the fermenter. When the target temperature is reached the fans go off. If the wort warms up, the fans kick on. This maintains the temperature right where I want it.

TA: What motivated you to start the Brew and Feed brand and how long has it been active?

BF: Brew and Feed has been around for almost as long as I have been brewing. But, it became an official company January of 2018. My main hobby before brewing was backyard farming, cooking Indian food and making salsa. I used to make videos about cooking 12-13 years ago, around the time Chef G. Garvin was at peak popularity. When I started brewing I started a now defunct online persona and blog called EC Rebel AKA Eclectic Rebel. The EC stands for East Cleveland. Eclectic Rebel was used because I was the only African American that I knew who had the hobbies I had, so that was my attempt to make cooking and brewing cool for other folks like me. When I decided to make the persona public by creating a public Facebook page the persona didn’t translate well and I didn’t think it would be scalable in the long run for where I wanted to go with it. So, I kept it simple for people to understand. I like to brew beer for people to drink and make dishes that pair with it to feed people.

Brew and Feed Homemade Belgian Dubbel Glazed Chicken Wings

Brew and Feed Homemade Belgian Dubbel Glazed Chicken Wings

TA: The Belgian Dubbel glazed chicken wings on your Instagram look delicious. How long have you been cooking with beer and what inspired you to do so?

BF: Eleven years ago, when I started brewing beer, I immediately started to pair the beer with food. I started cooking food with beer in 2016 after I ordered a book called The Best of Cooking with Beer on Amazon.com. That’s where I got the recipe for those wings. The original recipe was for IPA wings, but I thought a Belgian Dubbel would be better and I think it is.

TA: How did you learn to craft homebrew infused sauces like your “Pale Ale Chipotle Hot Sauce” or blend such interesting flavors like coconut and ghost peppers in a sauce?

BF: The hot sauce thing is interesting. I am actually teaching myself how to make my own hot sauce and have been experimenting with a few recipes. While I work out the process and figure out the most cost-effective way to bring my own sauce to market at a fair price, I have a company that produces the two hot sauces that I sell. The recipes are theirs, not mine. I just curate the sauces I think craft beer people would like and retail them with my branding.

TA: What is your favorite beer to brew and why?

BF: My favorite beer to brew is Czech Pilsner. They are extremely challenging to brew, even for the best professional craft brewers, which is why you do not see them often. They also have a snappy hop bitterness like an IPA, but are without the malty “carmelness,” which I enjoy. Because there are no dark specialty malts in the grain bill and it is lightly hopped, it is difficult to mask any of the myriad of technical flaws that can emerge in a brew that is not brewed with good sanitation and brewing process. Also, since it is a lager, the fermentation process takes longer because it has multiple stages of fermentation temperature adjustments as well as a period of time required to cold condition (lager). You have to brew these beers literally a dozen times to dial in your process from grain to glass to get them right, and due to the length of time it takes to make them, that can take years for a homebrewer.

Brew and Feed Sauces and Tacos

TA: What is your favorite dish to prepare and why?

BF: My favorite dish to make is hard to say, but I would say it is a tie between tacos and baked and grilled wings. Tacos are the perfect food. I make mine with unsalted taco seasoning and 99% lean ground turkey meat and I mix it with black beans and top it with salsa, avocado, sour cream, and shredded spinach. I use either crunchy corn taco shells or corn tortillas.

If I use flour tortillas I use whole grain. It’s got all the bases covered, but without a lot of fat and salt and plenty of fiber. The “Feed” side of brew and feed is about eating sensibly. For wings, I bake them then grill them. I do not believe that anything that is fried is food. I don’t rebuke folks who fry food, but if someone likes to put something that isn’t food in their digestive tract, who am I to tell them they shouldn’t? I like wings because they are quick and easy to make and can be brined in beer to give them a hint of the beer you are going to drink with them.

TA: Of all the breweries you’ve visited and reviewed on YouTube thus far, where was your best experience? Who had the best food and who had the best beer?

BF: Wow. Great question. There are a lot of great breweries out there. I will start with the city that has impressed me the most so far. Keep in mind that I still have a long list of places to visit like Seattle and Denver, both of which I have previously visited, but that was before Brew and Feed. Austin, Texas has impressed me the most so far. With a bazillion breweries you would think you would run across a lot of crappy ones, but they have a high percentage of breweries that produce technically correct beers. I am working on a rating scale for breweries, so I can be fairer in my assessment on them. A brewery can have beers that I do not like stylistically but could be making technically correct beers and they should get points for that. My favorite breweries tend to be either small breweries that have a large catalog along with consistently great beers–like High Branch Brewing in Concord, North Carolina or Other Half Brewing in Brooklyn, New York–or breweries that have good beer and amazing food, like Butcher and the Brewer in Cleveland, Ohio.

TA: For clarification purposes for the readers, can you expound on what you mean by “technically correct beers?”

BF: A technically correct beer is a beer that doesn’t have unpleasant flavors, aromas or mouthfeel; nor flavors, aromas or a mouthfeel that doesn’t complement one another. The American Homebrewers Association and The Brewers Association have standards that define the technical attributes of each style of beer for homebrewers and commercial craft breweries respectively. However, I don’t believe that a beer needs to meet the recipe standards in these guidelines to be technically correct. Otherwise you would never get a style like the New England IPA, which is now included in the style guidelines. However, I think every brewer, homebrewer or professional, should familiarize themselves with the various types of off flavors and flaws, what causes them, and how to correct them.

Some off flavors are desirable in some beers, but they are not the result of bad brewing process, but rather an intrinsic of the ingredients. For example, some wheat beers may have some subtle sulfur notes that come from the yeast, but it is only acceptable if it is very subtle and doesn’t overwhelm the other attributes of the beer. Off flavors like wet cardboard or rubber band are almost never acceptable, but in some sour beers leather and horse blanket are acceptable. Mouthfeel is also important. A brewery not having a filter is no excuse for having a beer that is full of yeast, malt and hop proteins and having an overly thick mouthfeel for the style. There are beer fining techniques that can precipitate yeast and proteins to fall out of solution, that will improve the mouthfeel of the beer. Good recipe design can improve the mouthfeel of a beer that has a mouthfeel that is too thin. There are also specialty grains that can help improve mouthfeel. Good brewers know when they have brewed a technically correct beer and consumers tend to gravitate toward these beers.

TA: What is the most important element of a beer? The grain or the hops?

BF: Water is the most important element in beer. All breweries have access to the same grains and hops, but water varies from city to city, so if a brewer doesn’t know what is in the water that they brew with, they don’t have control over the largest ingredient in their beer. Without getting into the technical details, water-chemical composition can determine how efficiently grain starches are converted to sugars and how effectively hop character shows up in the finished beer, depending on the style of beer.

TA: What is the overall goal of Brew and Feed?

BF: To fuse independent craft breweries and their beer with local food artisans to grow a community of folks who appreciate both. I believe this market doesn’t exist and would consist of older folks with disposable income and upwardly mobile younger folks who want a more enriching experience that connects them to the local community.

TA: Do you have plans to be a lead brewer at a brewery or start your own someday?

BF: My dream is to brew beer commercially but in a unique way that is not being done. I have some ideas about how I would do it, but no serious plans right now.

TA: I’ve been watching and enjoying a lot of your YouTube videos. Should we expect more brewery videos on your channel in the future?

BF: I have Brew and Feed reviews for Louisville, Kentucky; Providence, Rhode Island; and Plano and Dallas, Texas in editing right now. On my list of cities to visit next are Charleston, South Carolina and Asheville, North Carolina for part three of my Asheville series. Other cities could pop up randomly, which is how most of them happen.

TA: Where do you see Brew and Feed five years from now?

BF: We want to grow the event management wing of our company to festivals that do not exist today. The nature of which is proprietary, but more to come on that soon if we don’t get distracted by a better idea that comes up before the idea is fully baked. I tend to not let an idea lead me off a cliff. No matter how far along it is, I will drop it and focus on something else if it loses its appeal to me.

TA: You have dropped a lot of gems for my readers. But, before we come to an end, can you share some advice for any novice homebrewers out there looking to strengthen their brewing skills or potential homebrewers looking to take up homebrewing as a hobby?

BF: Read a lot and brew a lot and seek to learn how to manipulate every recipe and brewing process variable. If you are not the member of a homebrew club, join one. You will find homebrewers that have been brewing for a long time there and you can learn a lot from them. There is also a bit of healthy competition in homebrew clubs, which is motivation to brew better beer. If you do not have a homebrew club near you, just lay out a list of things you want to learn about brewing each year, and work on that when you brew that year. For example, if you want to learn to brew with adjuncts like fruit, honey, or candy sugar; learn what it means to use these and brew beers that have these adjuncts and apply that learning to some of the beers you brew that year.

Brewing more could mean consuming more, so be careful with that. Learn to brew beers with less ABV first. It will help you avoid drinking a lot of 8-9% ABV brews at home. And though those are less expensive to brew, they are also more of a challenge. Start by brewing very simple beers and brew them repeatably before you move up to beers with complex grain bills and higher ABV’s. Otherwise, you’ll be adding a lot of variables to the recipe and brewing process before you fully understand how to manipulate them. Lastly, have fun with it. You will not make the best beer or even good beer the first few years you brew. Your friends might like it because they like you, but stay humble and keep improving with each brew you make.

Great advice from a man who’s on his way to potentially make some big things happen within the craft beer community. When the world of craft beer is merged with quality food, it is an experience like no other and with the production quality and knowledge Brew and Feed is bringing, there’s bound to be some great things happening in their future. You can stay up-to-date on their progress and purchase their merchandise via their social media and website listed below:

Instagram: @brewandfeed
Facebook and YouTube: Brew and Feed
Website: https://brewandfeed.com/

*All images courtesy of the Brew and Feed Instagram account

The FRESHest Craft Beer Festival of Them All

The News

Would you revel in the feeling of an ice-cold hibiscus pale ale cruising across your palate on a hot summer day? Or the mouth-puckering sensation of a dry-hopped pilsner tickling your tonsils? Or perhaps enjoy the ambiance of good food, good moods, live tunes and other great brews? If you said yes to any of these questions than you must know about the craft beer event of the year. But, in case you don’t, it’s going down in Pittsburgh! That’s right folks! On Saturday, August 11th at NOVA Place Courtyard; the nation’s first ever craft beer festival showcasing black brewers and black owned breweries will be underway and if you are serious about craft beer you don’t want to miss this one. My good buddy Mike Potter from Black Brew Culture is partnering with the comedic duo Day Bracey and Ed Bailey of PA’s Drinking Partners Podcast to bring to libation lovers of all creeds and colors: Fresh Fest 2018!

Capture

The BREWerieS

So who’s going to be there? Well, let’s run down the stats. Over 30 craft breweries (at least 15 black-owned or led by black brewers), 2 distilleries, and 2 cider houses / meaderies will be pouring up some of the finest liquids to tempt the ol’ boozehound that lives in us all. You’re going to experience 5-ounce pours from a variety of black owned craft breweries from across the nation like New York’s Harlem Brewing Company, Louisiana’s Cajun Fire Brewing Company, Ohio’s Black Frog Brewery, and Connecticut’s Rhythm Brewing Company, to name a few. And of course there will be plenty of local Pennsylvania breweries like Braddock, PA’s Brew Gentlemen; Mount Pleasant, PA’s Helltown Brewing Company; Pittsburgh’s own Voodoo Brewery and many more pouring you a taste of what Pennsylvania craft beer is all about. But that’s just a sample of some of the liquid love Fresh Fest will offer.

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Another great thing about the festival, beyond its celebration of the culture surrounding black brewers and black breweries, is that there will be a decent amount of microbreweries from my stomping grounds of DC and Maryland who will be spreading their beer love at the festival as well. Sankofa Beer Company and the newly transplanted Black Star Line Brewing Company will be holding it down for the Nation’s Capital. While Bmore’s Union Craft Brewing and Waldorf’s newly-formed Patuxent Brewing Company will be reppin’ the Old Line State, to prove that “Crab Cakes and Football” is not all that Maryland does. And although the breweries lead the gauntlet, let’s not forget that the beer alternatives Wigle Whiskey and Rams & Parrots Whiskey will be in the house along with Threadbare Ciderhouse and Meadery and Apis Meadery. So if one thing is guaranteed it’s that you won’t leave Fresh Fest thirsty. But, where there’s good booze there has to be good food, right?

The Food

Of course they wouldn’t leave you drowning in booze without a food life vest to keep you afloat. On the food side of things there will be a variety of local food trucks on site to tackle any kind of beer munchies. Blowfish BBQ will be firing up tender, flavorful BBQ to keep festival-goers’ inner carnivore at bay along with sides like mac-n-cheese and roasted potatoes to round out the perfect plate for a day of drinking. The Chicken Coop PGH will be serving up fresh chicken and waffles in a variety of styles; ranging from savory traditional wings on the bone with a Belgian waffle to sweet dessert waffles like apple pie, cinnamon roll, and more. Leon’s Caribbean restaurant will provide the jerk and curry chicken with your choice of sides if you get a hankering for some island eats. While Leona’s Ice Cream will be handling the lactose-free, cold, delectable treats for all the ice cream fiends who’d rather not mix booze with moo’s. So while you’re sipping saison or lapping up an ice-cold lager, you’ll have cuisine options for sweet, savory, crunchy, spicy, hot, cold and everything outside and in-between to go with it.

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The Dudes

For those who are lucky enough to grab a VIP pass, along with your one hour early entry to the tasting area, you will be provided a full day’s worth of beer immersion as a special “Meet the Brewers” podcast will be presented by Pittsburgh’s own Ed Bailey and Day Bracey of the Drinking Partners Podcast. This will be an opportunity for guests of Fresh Fest to be part of the conversation between the comedic, beer-loving podcast duo and some of the national brewers being featured at the festival. This will also serve as a pre-show leading up to the real deal craft beer tasting reveal of Fresh Fest.

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The Tunes

Lest not forget the music of the occasion which will be brought to you by some of Pennsylvania’s brightest up-n-comers. Music artists Jonny Goood, Clara Kent, and Byron Nash will be spreading all the right vibes you need to keep you moving and boozing.

All of that being said you should show up and show out on Saturday, August 11th at the Fresh Fest Craft Beer festival. It’s going to be a beer event for the history books.

The Dues

What?   Fresh Fest Craft Beer Festival
When? Saturday, August 11th, 2018 from 1:00 pm to 9:00 pm
Where? NOVA Place Courtyard (10,000 square feet/ 2000 Guest Occupancy)
100 S Commons St, Pittsburgh, Pennsylvania 15212, United States
Cost? $45 (General Admission) [5:00 pm – 9:00 pm 5-oz. tastings of 80+ beers and ciders (unlimited pours)]
$70 (Early Admission) [4:00 pm – 9:00 pm] (4:00 pm – 5:00 pm collaboration beer tasting hour) [5:00 pm – 9:00 pm 5-oz. tastings of 80+ beers and ciders (unlimited pours)]
$90 (VIP Admission) [1:00 pm – 9:00 pm] (1:00 pm – 3:30 pm Meet the Brewer’s Session) + (4:00 pm – 5:00 pm collaboration beer tasting hour) + [5:00 pm – 9:00 pm 5-oz. tastings of 80+ beers and ciders (unlimited pours)]

The Socials

Be sure to follow BlackBrewCulture, Drinking Partners Podcast, & The Fresh Fest Craft Beer Festival 2018 via Social Media:

Twitter: @BlackBrewCulture / @PartnersPod / @FreshFest2018
Facebook: @BlackBrewCulture@PartnersPod / @FreshFest2018
Instagram: @Blackbrewculture / @PartnersPod / @FreshFestBeerFest

 

TWIHH: On Lupe Selling Verses and Speed’s Favorite Sagas

Lupe Fiasco Now Selling Verses For $500

He's back at it...

He’s back at it…

Ok, since we did a think piece in my last post, this time out, we’re going to go light (relatively). After being called “arrogant” by battle rapper Dizaster, thus continuing their long-standing “feud,” news came that Lupe was going to venture into the world of Fiverr-like gigs. Unfortunately, if you’re looking for an actual feature, that’ll run you a smooth $50,000 (which isn’t all that much, considering it is Lupe, but still). Nope, these $500 a pop verses are personalized one-verse-songs for people willing to part with Benjamin and his four other brothers. Think those Valentine’s Day bears with the recordable message feature, but with Lupe’s face plastered on the front.

Or something like that…

We all know some random rapper’s still going to try to make it a “featured” song, though (contract be damned). So, this is going to be fun to see play out. Now, I’ve had my issues with Lupe (still think he’s dope lyrically, but not always on-point in other ways), but this is actually pretty inventive. I personally wouldn’t drop $500 on a personalized verse, only because there are more important things to do with that money. Plus, I could use that to help someone else out who hasn’t already made it. I’m just saying. I support my favorite artists, but there’s a limit, you know?

On Sagas in Hip-Hop

On Sunday, I brought the musical saga I started a couple of years ago with #OneYearLater to a close with the release of Death of the King. While that album is epicness (what, you expected me to say it sucks?), it got me thinking about other sagas presented in hip-hop. Here are a few of my favorite “sagas,” to lighten the mood.

Lil’ Wayne’s Carter series (2004-201x)

Kendrick Lamar’s story (O.D., Section.80, and GKMC)

Jay-Z’s Blueprint series (2001-2009, thus far)

Big K.R.I.T.’s story (from K.R.I.T. wuz Here to King Remembered in Time)

Lupe Fiasco’s “Michael Young History” story (explained in-depth by the good folks at The LUPEND Blog)

If you haven’t had a chance to check these sagas out, please do so. They act as time capsules into these artists’ lives and the lives of those around them during the time of each album’s release. It’s fun to revisit, and also imperative to ensure that we learn from the mistakes and transgressions each artist has spoken on, so we can ensure a brighter future. As always, this is just my opinion.

@SpeedontheBeat

TWIHH: Hip-Hop’s Role in Prompting Change

Before we begin, check out Lauryn Hill’s “Black Rage.” 

I love hip-hop. It’s an amazing art form, and it’s so diverse. In light of some of the recent happenings in the world (the situation in Ferguson, MO, the Ezell Ford shooting in LA, the incident in Ohio, the Tulsa police shooting, Robin Williams’ suicide, etc), some have brought up the question of “what can hip-hop do to educate people or cause change?” In the 1980s and 1990s, artists jumped to the mic in droves to speak on messed-up situations with the government and the police (not really mental illness, though; that’s another monster entirely which I spoke on on Boi-1da.net). These days, however, it seems that artists won’t speak on an issue unless there’s something to gain from it (publicity, saving face, etc). Is that indicative of artists being “owned” by their labels, therefore hindering them from speaking on issues?* Or is it just that today’s generation of artists aren’t educated on how messed up these issues are?

I think it’s unfair to say that every artist doesn’t give a you-know-what, regardless of their subject matter. I actually got into a bit of a “Twitter argument” with Lecrae over his semi-condemning of “violent” mainstream hip-hop, due to the idea that even if some music is violent in nature, it doesn’t exactly mean that all hip-hop that isn’t love, peace, and harmony is counterproductive. However, there is a tinge of apathy from the world as a whole–since some tend to devote focus to hot button issues, then move onto the next quicker than you can say “keyboard revolutionary.” Of course, human rights are something that need/deserve to be spoken on at all times. Thankfully, the message is getting across that people can’t just #TweetJustice and expect something to change overnight.

But, you combine this “where’s the next cause?” mentality with a generation that is more likely to turn Trayvon Martin into a meme, you’re asking for idiocy from the masses. Rappers aren’t excused from this. But, as “leaders” of black culture, hip-hop artists have to aid those whom they claim to represent–which is why I always applaud artists who give to charities, or do nonprofit work (or speak on these “real-life issues”). I’m also applauding the artists who have used their voices to speak on and/or out about these tragedies. As always, though, these are just my opinions on the matter. Feel free to tweet me on the matter.

*I will not go into how major label artists aren’t “allowed” to speak out (that’s another post entirely). I just wish that everyone could…put their money where their mouth is (plug, but not a shameless one).

@SpeedontheBeat

TWIHH: When Sarcasm Doesn’t Translate

::cues up Kanye’s “FEELS GOOD TO BE HOME!” outro from “Touch the Sky”::

Greetings, all. Did you miss us?

Earlier this week, I came across Bauce Sauce’s “0 to 100” freestyle, the aptly titled “0 to 140.” If you’re not familiar with Bauce Sauce, he’s a writer who’s made some pretty big waves these past couple of years. Using his irreverent humor and his website, Mostly Junk Food, Mr. Sauce has worked his way to a pretty sweet gig at Complex. So, what better way to announce to the rest of the world that you’re here than to let them hear you spit hot fire…or something. While Sauce has been rapping for a while, apparently, this track is what’s got him dealing with the masses en masse.

BAUCE

The song “0 to 140,” sarcastically, was called the hip-hop killer, possibly because Bauce Sauce is a kind of nerdy-looking white guy going ham over a Drake song about how his blogging contemporaries just can’t see him. Kind of like John Cena, but replace wigga-like mannerisms and a can-conquer-anything attitude with self-depreciating humor. And that’s all it took for some of the hip-hop world to turn on this guy quicker than, well, the WWE “Universe” has turned on John Cena (unless, of course, you “get” it–but even still). Which brings me to my point: in hip-hop, sarcasm and parody tend to not translate that well.

Weird Al got into a long-standing beef with Coolio over the “Amish Paradise” song. Heck, I have been in some weird confrontations because what I said went over people’s heads. Is it because hip-hop, even with its long list of metaphors, is an art form where people still take things at relative face value? Perhaps, considering there are individuals who believe Rick Ross actually has a billion dollars. It’s also potentially that, and I really hate playing the “race card”, because Bauce is a nerdy white dude, some purists unfairly attack this (somewhat out-there) comment of “I [messed] around and ruined hip-hop.” Is it out of line? Kind of, considering that hip-hop, to some, is considered sacred (in other words, no one can make fun of it, unless you’ve been accepted in the culture. And even then, it’s still looked at sideways). But, did it warrant the guy getting threatened to be robbed for being a clown?

In the immortal words of Keith Cozart, nah. Plus, it gives me a reason to post this gif:

Until next time, guys and girls.

****

(Shameless Plug Alert)

For those who forgot, I do actually dabble in this rappin’ thang myself (woot, woot). With that said, be sure to check out Death of The King when it drops Sunday, August 17th over at SpeedontheBeat.Bandcamp.com and on iTunes and all that fun stuff.

TWIHH: On Appearance and “Looking the Part”

A week or so ago, I decided to, for the first time in forever (no Frozen), check out HipHopDX to see what they had to offer. While perusing through the troll comments, I saw Fat Trel had released a couple new freestyles. I listened, and they had some quotables–most of which unfit for the site (if you want to hear it, click here. Be forewarned that it is NSFW). But what really shocked me was a comment on the song. Some dude made it about appearance rather than verses, saying that because “[Trel] look like a monster” (sic), he couldn’t rock with him. This, of course, brings me to this week’s TWIHH discussion.

When did it become about looks versus artistry? Is this a modern social construct based on the (oft-quoted, but often-misappropriated) “feminization of the black man” theory. Or has appearance been just as much a part of hip-hop culture as the graffiti, turntables, and bars?

As far as I can remember, artists have attempted to distance themselves from the pack. Often, that’d involve some sort of image, some sort of look. Some artists reflected what they felt was gangster culture while others reflected afro-centricity. Artists such as LL Cool J made a career out of showing how much more attractive they were to people when compared to, say, an ODB. Heck, LL made a career out of showing his chest to his audience and he is still one of the most-respected artists (even though he’s had his miscues).

So, for someone to say “oh, hip-hop’s gone soft; it’s homoerotic now because dudes are commenting on how a guy looks” is flat-out silly. I’ll agree that the focus on looks has become more intense over the years, with commentators teetering between critique and general creepiness and artists wearing skirts as fashion (a la Young Thug). But, at the core, hip-hop has always been about looks (and marketability). Perhaps now, since we’ve been brainwashed (somewhat) by reality television, social media, et cetera, an artist’s appearance is becoming more prominent in regards to how they’ll be perceived. But again, it’s always been about a look. If you look different, people will want to know more about you (even if it’s in a “WTH are you doing this” sort of way). But inversely, an artist must still look a part.

Artists are, typically, groomed (either by their surroundings or by their team) to look a certain way to fulfill a role. In the case of a Fat Trel, you wouldn’t expect him to appear in a video in skater shoes, clean-shaven, with a big cheesy smile. That’s not the image he represents, nor would it be a believable image. And then listeners would call him fake. This brings me to another point.

Hip-Hop is, in some ways, a stereotypical art form. I’m strictly talking appearance here.

As an artist, I’ve spoken on this once before, as I’ve been stereotyped as being a “college rapper” a la Asher Roth because of my demeanor and dress. It’s one of the reasons why I tend to stay out of the “spotlight,” per se. I’d rather let the music speak for me and then have people see me and say “whoa, that Speed guy looks like that but he speaks on real issues. Kudos.” If I went about it inversely, I’ve been told that I probably wouldn’t be heard, because I’m a shorter guy with a mental illness (shameless plug) who prefers bars to clubs and a Corona to Patron. And that’s even before people got through the “no-fi” approach.

So what can we, as artists and listeners, bloggers and critics, do?

Open our minds, plain and simple.

Lex Rush: One of the Greatest Femcees You’ve Never Heard

After spending years on rapping hiatus, NYC bred foodie, University of Maryland alumna, veteran Undergrounduate, and Hip-Hop freestyle phenomenon Lex Rush is gearing up to release her debut EP; but she needs your help. Lex is asking for donations and contributions to help pay for mixing and mastering of the many hits she’s compiling for your listening pleasure. Check out her Indiegogo and listen to some of my favorite songs and freestyles featuring Lex below and be sure to donate to help this project come into fruition. The campaign ends July 7th and trust me, Hip-Hop needs this project!!!

 DONATE HERE!!!

 

 

DONATE HERE!!!

New Album Alert – Nike Nando “ICON: Lord of the FLYY”

From the Icon himself:

Now I’m sure you don’t wanna hear a boring ass write up or something from anyone else explaining this project besides me so I’ll give you exactly what you want… 2007 I took a leap of faith and decided that I was gonna pursue music full-time with little to no experience in the music business. My goals have been to connect with teens like me who’ve been abused (physically & sexually) and give them inspiration by showing them that no matter how rough life can be, you can channel your energy into something that is positive and prosper. Over the past few years I’ve release[d] a number of projects that represent different stages in my life reflecting on what I’ve experienced and ICON is no different…” (Nike Nando)

SNN_ILOTF_ARTWORK

Nike Nando – ICON: Lord Of The Flyy
Tracklist:
1. Kingdom [Prod. Drew Beats]
2. Super Nike Nando II [Prod. Nike Nando]
3. Glow (Feat. Cayan) [Prod. Drew Beats]
4. Put Me On [Prod. Nike Nando]
5. Majin Vageta [Prod. Johnny Juliano]
6. The Low Down [Prod. NightRyder]
7. Caught In Lust (Feat. Dugee F. Buller) [Skit]
8. You Don’t Own Me [Prod. Sparkz Beats]
9. StarFox [Prod. Nike Nando]
10. Luh Me Doe (Feat. Rolls Royce Rizzy)
11. Hillfiger (Feat. Cayan)
12. M.O.B. [Prod. DeuceTheMusic]
13. What It Takes (Feat. Prince Akeem & Valleo) [Prod. Friendzone]
14. There She Go (Feat. Robbie Celeste) [Prod. Robbie Celeste]
15. Story Of My Life (Feat. Pop Smoothe) [Prod. Just Misfit]
 
Executive Producer(s)
Nike Nando x DeuceTheMusic
[Audiomack]
[Livemixtapes]
Social Media
Follow Nike Nando on Social Media: Twitter, Facebook and YouTube!

 

TWIHH: On Twitter “Rap Beef”

Warning: Both video clips use excessive language in the lyrics. NSFW!!

(Contains NSFW lyrics)

Long ago, when rappers didn’t rock with each other (keeping it PG-14 here), and it hit a fever pitch, they ended up on a Beef DVD and engaged in RAP BEEF (Hence the obviously NSFW Boondocks clip). The series, for those that don’t remember, spoke on some of the biggest beefs in hip-hop–and some not so much. Beef III, per Wikipedia, was released in 2005, followed by a short-lived BET series, then left in the early-to-mid-2000s like snap music.

(But, even snap music had beefs. Contains NSFW lyrics)

These days, when rappers don’t rock with each other, instead of dropping diss tracks and/or appearing on camera slugging it out, they’ll usually hop on Twitter and spew their disdain, then drop the bars. Part of me is like “cool. If it keeps dudes from killing each other over stupid ish, let the boys cook on Twitter, drop some IG bars, and keep it at that.” But, I’ll be honest. I miss those old days when rappers would actually go at each other on tracks if there was animosity. Heck, I even miss the days when artists would knuckle up, beat their differences out of each other, then get back to their business(es). Now, I’m not condoning violence in music. Nor am I saying that artists should beat the crap out of one another every time they’ve got a problem. There’s enough black-on-black violence in the world. But artists should–oh, I don’t know–hash out their differences artistically!

Twitter Novels and “artsy” selfies (ugh) be damned, we know that Twitter isn’t (that) artistic, y’all.

Perhaps the root of this “Twitter Beef” rap era still falls upon the deaths of so many hip-hop artists because of overblown beefs, rivalries, set trippin’, etc. Artists, as angry as they are at each other, they don’t want to live and die for their music. That’s commendable, as it’s often not that deep of an issue to kill over someone going at you on a track or whatever. But, at the same time, wasting energy to tweet “oh I don’t eff with Rapper B” when they could’ve used that time to make music or what-have-you? It comes off as sneaky and disingenuous, kind of like a troll in a message board who types racist ideologies just to get a rise from people.

I’m the type of artist that’d rather use whatever fuel you give me to go harder on a track, so I just don’t understand tweeting about not rocking with someone. Can someone out there explain it to me?

…”or nah?”

Until next time.

Speed on the Beat