Monday, I was informed by my handler over on Boi-1da.net, the lovely Erin Ashley, that Jay Z dropped a DJ Khaled song (and that we were prohibited from posting about it because of the Drake barbs, which makes absolute sense. It’d be like me posting a True God diss track on my page). But, I decided to listen to it myself. I mean, it couldn’t be that bad, right? It’s new Hov! New Hov always disgraces everything!
“They Don’t Love You No More,” featuring Jay, Meek Mill, Rick Ross, and an auto-tuned French Montana, is, to put it lightly, a cluster****.
I like the artists featured. Meek and Rozay usually hit on all cylinders. And many of Jay’s “dumbed down” bars usually trump what’s hot on the radio. But, the track just comes off as an attempt to recapture the catchiness and anthem nature of “Started from the Bottom.” Perhaps that’s because of the topics covered in this epic. Or, maybe it’s the fact that “SFTB” and “TDLYNM” both feature production from OVO signee and affiliate Mike Zombie.
Jay’s verse in particular stands out to me. Granted, Jay can probably end my career thrice over with the push of a button, but that doesn’t mean he gets excused for lazy couplets. Examples of such include “Got hella options, like a college team/Hit these bootleg n***** with the Heisman.” It ain’t “rocket science” Hov that we’ve grown used to, which brings me to my question.
Even though he’s still doing big things, has Jay lost (lyrically)?
Listening back to some of his latest projects, especially MCHG, he still has moments of greatness. The title track of that album still gives me goosebumps, even when I skip over Justin Timberlake’s chorus(es). But, it seems that Jay’s gotten comfortable in his crowned spot, rehashing what we’ve grown accustomed to from him (gun talk, richness, his taste in fine art, et cetera). There’s limited growth at this point, perhaps because he’s pretty much done it all.
You know how a one-hit wonder continuously tries to recapture that glory? Jay’s beginning to come off that way. But from some, he’ll forever receive a pass due to the legacy he’s created. This is kind of like the man Jay’s often compared to, Michael Jordan.
But even MJ knew when to walk away, even if he still had the fundamentals down pat.
I have all the respect in the world for Shawn Carter as a businessman and an artist. But it may be close to the time for him to walk away from the mic. But, that’s just my opinion.
And like mics these days, everyone has one.
Turk Drops a New Mixtape
Well, that’s something I didn’t think I’d say again. But, in 2014, we’ve got a new collection of tracks from Turk,
The Da Real Thugga. From what I’ve heard (I’ve only given it a once-through), Turk’s still got it. It is, however, kind of weird that the EP has the radio edits on it as well as the uncut versions. Be sure to check out my brother True God and the rest of #TeamDAR interview Turk over on TeamDAR Radio (accessible by clicking the logo below; interview considered NSFW). In it, he clears up the rumors of Turk dissing Young Thug among other questions.
Lil’ Jon Lives!
Lil’ Jon, your favorite crunked-out DJ/rapper/hypeman has found new life as, well, a DJ/rapper/hypeman (this time, with more of a trap-hop dubstep-influenced feel). His newest track, the “Turn Down For What?” remix, is, as a good friend of mine said, “happy ignorance.” It makes you want to just, you know, do wild and crazy stuff, but not kill everything within a ten-block radius. We need more “happy ignorance” in rap. Can we get a new album, Lil’ Jon? The
streets world needs one more crunked-out tape. (Track has some NSFW lyrics, especially French Montana’s verse)
K.R.I.T. Iz Here (to climb “Mt. Olympus”)
As long-time followers of me know, I’m a big Big K.R.I.T. fan. Heck, his music inspired me to do tracks such as “Death of The King,” the title track from the upcoming Death of The King album (double shameless plug alert; NSFW as well).
So, when I heard his newest track, “Mt. Olympus,” my eyes legitimately lit up and I had the screw face on the whole time. The first single from Krizzle’s Cadillactica album, “Mt. Olympus” goes hard. And when I say it goes hard, I mean it goes hard. Considering he pretty much eviscerates “Control’s” impact on him and rap in a few bars, it’s safe to say K.R.I.T.’s not playing around. I think that these few bars sum up the feeling of the track, one where The King Remembered in Time is making sure we remember him, in spite of some listeners downplaying so-called “country rap.”:
“God could physically come down and say ‘he the greatest/
My favorite, y’all should listen, he have potential/
To outlive the heatwave I’ma send through this mother[…]/
And rebuild for a whole ‘nother other culture’/
And that wouldn’t be enough…”
Man, it’s been a busy week in hip-hop. And I didn’t even get to Lord Jamar talking about blacks and the need to buy the Clippers from Donald Sterling. Since I’m sure Mr. Sterling’s remarks will still be in the news, perhaps I can save that for next week.